Zachód II housing estate in Szczepin in Wrocław – a place built anew 127
neighbor. The lack of dialogue between the present and
history is not justied by the quality of the architecture
of the apartment building itself, which has been provided
with repetitive façades, typical of residential houses under
construction. A mosaic of several fashionable solutions –
façade “templates”, which were probably intended by the
designers to divide the optically long façade on the side of
Legnicka Street and soften its huge scale, is not enough to
create a new, aesthetic dominant of Strzegomski Square.
And only such action could possibly explain the complete
lack of respect and understanding for the work of previous
generations of architects.
Summary
Archival photos, lms and other source materials show
the beauty of pre-war Breslau, the capital of Lower Sile-
sia, a metropolis with a rich, centuries-long history, but
also with bold visions of future development. It is un-
doubtedly regrettable that this Wrocław did not survive
the war drama and began its new historical chapter in 1945
as a city in ruins. A city that had to be not only rebuilt, but
in large part built from scratch. Faithful to the historical
original, reconstructions and reconstructions were possi-
ble only in a small part of the devastated areas, thanks to
which the architects received a huge testing ground for the
implementation of modern urban and architectural ideas,
responding to the needs of rapidly changing societies. Al-
most all of southern and western Wrocław was built from
scratch. The new districts changed the urban landscape as
their urban composition diered signicantly from his-
torical rules and principles. Time constantly veries the
achievements of that time. Discussions and assessments
of the architectural achievements in Poland of the com-
munist era are still ongoing. Filip Springer, in the title of
one of his “architectural” reportages, called the objects
of this era symptomatically ill-born [18]. Jakub Lewicki,
historian of architecture and conservator of monuments
noted in one of the interviews: The stigma of the People’s
Republic of Poland is a very important element, but most
of these buildings are extremely neglected and degraded,
their condition is deteriorating and most often deprived of
any care. Hence, buildings that were beautiful, functional
and useful, today are dirty, neglected hovels. […] I wish
that everyone would look at 20
th
century objects more
sympathetically. He did not immediately dismiss them
as nasty blocks, but tried to understand the intentions of
their creators and tried to imagine them not neglected, not
dirty, but still clean, eective and useful [19].
The analysis of the Zachód II estate proves that it is
a very interesting experiment and a testimony of its time,
and at the same time it is a value that should be protect-
ed. A great challenge in the modernization of post-war
architecture is maintaining, rstly, respect for the origi-
nal idea, and secondly, the greatest possible degree of the
original substance – while meeting the requirements of the
construction industry and the investor’s expectations [20,
p. 204]. Many elements that make up the original expres-
sion of the estate have not survived. First of all, the origi-
nal “strip” colors of the residential blocks’ elevations have
not been preserved. Like most large-panel buildings, they
are successively insulated, which is an understandable and
most economically justied process. The new colors on
the insulated façades do not, however, try to refer to the
Molicki project in any way. Window joinery, replaced by
the tenants themselves, does not reproduce the original
rhythm of divisions with characteristic vent windows. The
recently rebuilt balconies in apartment blocks receive bal-
ustrades in a form and material that is foreign to the proto-
types. The list of threats goes on. It was discussed earlier
about increasing the density of buildings that changed the
composition of the estate. Therefore, the prospects for the
urban and architectural protection of the Zachód II estate
are not very optimistic. It is a pity, because the experienc-
es of other countries, but also fortunately emerging Pol-
ish examples, prove that the cultural heritage of post-war
modernism is beginning to be perceived as a great value.
Translated by
Jan Urbanik
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