Two âHornedâ Altars from the El Darazya Site 17
These cultural, artistic and everyday inîuences obvi-
ously came from Alexandria. The artistic forms have
been conîżrmed to be signiîżcantly similar to objects
from Marina.
At the same time, the type of functional solution and
the shape of the portable altar from El Darazya â low
and without any base or pedestal â is acknowledged
as unique, and perhaps characteristic of this place. The
reason for using such a simpliîżed and therefore inex-
pensive form could have been provinciality, though not
necessarily. It is possible that here we have some un-
preserved elsewhere, yet widespread, simple household
items. Finally, it is worth noting that these altars, while
rather small, were handy and entirely portable. Would
this have some connection with the presence of a har-
bour and boat transport?
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Acknowledgements
The author would like to thank the authorities of the
WrocĆaw University of Science and Technology and the
Egyptian Supreme Council of Antiquities at the Minis-
try of Tourism and Antiquities for establishing the Pol-
ish-Egyptian Conservation Mission El Darazya â Ma-
rina el-Alamein, where the studies presented here were
conducted. I would like to thank the institutions partic-
ipating in the work: the Jagiellonian University and the
InterAcademy Institute for the Conservation and Resto-
ration of Works of Art. I would like to thank my colleagues
from the El Darazya mission and earlier from the Marina
mission for their help, advice and cooperation. I wish to
express my special thanks to jubilarian Professor Jacek
KoĆciuk, who was the îżrst to introduce me to the world of
ancient and modern Egypt with his colourful stories.
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