Zachód II housing estate in Szczepin in Wrocław – a place built anew  127
neighbor. The lack  of dialogue between the present and 
history is not justied  by the  quality of the architecture 
of the apartment building itself, which has been provided 
with repetitive façades, typical of residential houses under 
construction. A mosaic of several fashionable solutions – 
façade “templates”, which were probably intended by the 
designers to divide the optically long façade on the side of 
Legnicka Street and soften its huge scale, is not enough to 
create a new, aesthetic dominant of Strzegomski Square. 
And only such action could possibly explain the complete 
lack of respect and understanding for the work of previous 
generations of architects.
Summary
Archival photos, lms and other source materials show 
the beauty of pre-war Breslau, the capital of Lower Sile-
sia, a  metropolis with  a rich, centuries-long  history,  but 
also  with  bold  visions  of  future  development.  It  is  un-
doubtedly regrettable  that  this  Wrocław  did  not  survive 
the war drama and began its new historical chapter in 1945 
as a city in ruins. A city that had to be not only rebuilt, but 
in large part built from scratch. Faithful to the historical 
original, reconstructions and reconstructions were possi-
ble only in a small part of the devastated areas, thanks to 
which the architects received a huge testing ground for the 
implementation of modern urban and architectural ideas, 
responding to the needs of rapidly changing societies. Al-
most all of southern and western Wrocław was built from 
scratch. The new districts changed the urban landscape as 
their  urban  composition  diered  signicantly  from  his-
torical rules and principles. Time constantly  veries the 
achievements of that time. Discussions and assessments 
of the architectural achievements in Poland of the com-
munist era are still ongoing. Filip Springer, in the title of 
one  of  his  “architectural”  reportages,  called  the  objects 
of this era symptomatically ill-born [18]. Jakub Lewicki, 
historian  of  architecture  and  conservator  of  monuments 
noted in one of the interviews: The stigma of the People’s 
Republic of Poland is a very important element, but most 
of these buildings are extremely neglected and degraded, 
their condition is deteriorating and most often deprived of 
any care. Hence, buildings that were beautiful, functional 
and useful, today are dirty, neglected hovels. […] I wish 
that everyone would look at 20
th
century  objects  more 
sympathetically. He did not immediately dismiss them 
as nasty blocks, but tried to understand the intentions of 
their creators and tried to imagine them not neglected, not 
dirty, but still clean, eective and useful [19].
The analysis  of  the Zachód II  estate  proves that it is 
a very interesting experiment and a testimony of its time, 
and at the same time it is a value that should be protect-
ed.  A great challenge in the modernization of post-war 
architecture is maintaining, rstly, respect for the origi-
nal idea, and secondly, the greatest possible degree of the 
original substance – while meeting the requirements of the 
construction industry and the investor’s expectations [20, 
p. 204]. Many elements that make up the original expres-
sion of the estate have not survived. First of all, the origi-
nal “strip” colors of the residential blocks’ elevations have 
not been preserved. Like most large-panel buildings, they 
are successively insulated, which is an understandable and 
most economically justied process. The new colors  on 
the insulated façades do not, however, try to refer to the 
Molicki project in any way. Window joinery, replaced by 
the  tenants  themselves,  does  not  reproduce  the  original 
rhythm of divisions with characteristic vent windows. The 
recently rebuilt balconies in apartment blocks receive bal-
ustrades in a form and material that is foreign to the proto-
types. The list of threats goes on. It was discussed earlier 
about increasing the density of buildings that changed the 
composition of the estate. Therefore, the prospects for the 
urban and architectural protection of the Zachód II estate 
are not very optimistic. It is a pity, because the experienc-
es of other countries, but also fortunately emerging Pol-
ish examples, prove that the cultural heritage of post-war 
modernism is beginning to be perceived as a great value.
Translated by
Jan Urbanik
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